Beatles In Hamburg DVDDVD: “The Beatles with Tony Sheridan - The Beginning in Hamburg: A Documentary”    

This DVD explores the Beatles stint in Hamburg, Germany . In many regards, it has the same antidotes, told by a familiar cast of characters (Alan Williams, et al). However, this DVD adds a few personal touches that elevate it beyond the norm. Booking agent Alan Williams has some residual bitterness over an unpaid 15 pound loan made to Paul McCartney. Paul, George and John are described as the tight knit nucleus of the group. Pete Best is described as an outsider within the group, who although he was a Beatle, wasn’t with them “90% of the time”. When Astrid Kirchherr speaks of John’s extreme sadness after Stuart Sutcliffe’s death, she adds how protective George was of John. Tony Sheridan’s fundamental dissatisfaction with Pete’s drumming is highlighted and observations are made upon the Beatles’ 1962 return to the Star Club, of how they jelled as a band after the addition of Ringo.

The whole disc is filmed in an “antique” style (similar to old photographs) and the sound quality is impressive considering the age of the recordings. There are many previously unseen photographs and the addition of the seldom interviewed Astrid Kirchherr and the “often heard about but seldom seen” Klaus Voorman paint a more complete picture.

The documentary is good but the definitive documentary of this period of the Beatles’ formative years hasn’t been made yet. If you’re interested in capturing the spirit of this era, check out the “Backbeat” theatrical film.

The DVD is housed is a digipack, with a booklet and 5 postcards. There’s a discography of the various cover art used for the many Beatles / Tony Sheridan reissues over the past four decades.

The DVD can be played 3 different ways: the music alone, the documentary without the music, the documentary with the music interspersed at appropriate intervals. The total playing time is 2 hrs, and 17 minutes.

Sixteen Beatles / Sheridan tracks are included on the DVD. The original Harrison-McCartney composition “Cry For A Shadow” is not included on the Region 1 DVD. Apparently, the timing of the DVD release was meant to coincide with the 40th anniversary of the Beatles arrival in the US. Universal was unable to secure the rights for “Cry For A Shadow” in time and released the DVD in spite of this. A waiting period to allow for the inclusion of “Cry For A Shadow” would have been the best long range decision. It’s unfortunate that this decision was made based on marketing, not artistic factors. As it is, the UK edition (with “Cry For A Shadow”) is the definitive version (unfortunately regional coding makes this unplayable on most North American DVD players). Otherwise, this DVD is a good deal, especially considering the budget line price.

Ringo "Tour 2003" CDRingo Starr & His All-Starr Band - Tour 2003

Previously available as an expensive mail order only item, this 70 minute CD was recorded on the opening night on the 2003 All-Starr tour, with new band members (Colin Hay (Men At Work),  John Waite (Babys, Bad English) and Paul Carrack (Ace, Squeeze, Mike and the Mechanics). The opening night venue was Casino Rama in Ontario. Although the band hadn’t quite jelled yet, the venue’s name similarity to Ringo’s last studio album (“Ringo Rama”) must have been an irresistible promotional angle. Otherwise, it might have been better to record a later date once the band hit it’s stride.

Ringo’s set list is predictable. He dips into the “Ringo Rama” album twice on this tour with only a more organic version of “Memphis In Your Mind” available on this CD. (It would have been nice to also have the live version of  “Never Without You”.) The only other deviation from the predictable is “Don’t Pass Me By” with Ringo playing piano for the first verse and chorus before switching off to his drum kit. Ringo is in typical good humour (when “Ringo Rama” elicits a round of applause, he exclaims, “Like you bought it!”, without a hint of bitterness) and he seems to relish his selfless role of concert emcee.

The line up of the 2003 All-Starr Band has a more “contemporary adult” feel (no hard rockers in this line up). Sheila E.’s selections are similar to what she performed in the 2002 tour adding to the somewhat predictable feel of the disc.

Otherwise, considering it’s a live recording, the CD is well produced. It’s EQ’ed to sound loud on an average system but without clipping and distortion.  

As predictable as the All-Starr events may be, I support Ringo’s desire to hit the road and play with a group of hand picked musicians. Considering his circumstances, if it wasn’t a good time for him, he certainly wouldn’t do it. The only aspect I’m beginning to question is the need to issue a live CD for each tour. I now own 6 All-Starr CDs since 1989. Considering the predictability of the set lists, this verges on excessive. Personally, I would have liked to see Ringo do what he did to promote “Vertical Man” - stage a promotional concert with his studio band performing more material from “Ringo Rama” using an “Unplugged” / “Storytellers” combination.

Update: In September, a DVD was released from this tour. Although entertaining, the lack of a full setlist and the 'home movie' feel of the DVD is detracting. If the DVD was packaged with the CD as a bonus disc (ala "Ringo Rama"), it would be more consumer friendly. In its current state, the DVD is questionable as a stand-alone product.

I would have also appreciated having Ringo's tribute to George, "Never Without You," included - as I suspect would many Beatles fans. To not have it appear on either the CD or the DVD displays a lapse of good judgement.

Go Back To: The Beatles: From Abbey Road To Cyberspace .